Each chapter in Abu-Jaber’s Crescent is prefaced with an Arabian Nights-inspired account of the adventures of Abdelrahman Salahadin. What role does this frame narrative play in the novel? What was your experience moving back and forth between Sirine and Han’s real-life story and Salahadin’s fanciful folktale?
the role of the frame narrative in Crescent and how it relates to the real-life story of Sirine and Han.
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